仁科
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导演:
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北野武
剧情:
富商之子仓持真知寿(吉岡澪皇 饰)从少年时代便痴迷绘画,随着父亲企业的破产,父母相继自杀,真知寿的童年也变得一片黯淡。即便如此,他也从未放弃成为画家的梦想。时光流转,转眼长成青年的真知寿(柳忧怜 饰)自顾自徜徉在艺术的世界中。为了提高技艺,他就读艺术学校,遇到一班志同道合的好朋友,和他们经历了喜怒哀乐、悲欢离合。他经常往返于画廊,而作品却迟迟得不到赏识,唯有同在印刷厂打工的少女幸子(麻生久美子 饰)真切理解真知寿的艺术。 人过中年,真知寿(北野武 饰)依旧默默无闻,但即使生活怎样清贫,他的妻子幸子(樋口可南子 饰)始终与其相伴,相互搀扶继续着这条充满磨难的艺术之路…… 本片荣获2009年保加利亚索非亚国际电影节观众大奖。
导演:
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绪方明
剧情:
独身的大场美奈子(田中裕子饰)在超市做收银员,早上兼一份送奶工作,晚上在家中品味堆满的书籍。美奈子每天早上都会派牛奶到敏子和中学同级同学高梨槐多(岸部一徳饰)的家。一天,槐多的妻子容子偶然知道了每天早上给他们家送奶的是美奈子,并知道了丈夫过去的事情,她约见了美奈子托付后事。
槐多和美奈子是中学时代的恋人,那时候他们经常在书店约会。那时候美奈子的妈妈和槐多的爸爸相好,一次意外双双死去。他们拿因父母的事中断了关系,后来槐多结婚了,美奈子独自一人。30多年过去了,虽然两个人都生活在同一个城市里,但是没有任何往来。容子去世后,槐多与美奈子得以结合,但是……©豆瓣
导演:
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加藤卓哉
剧情:
荣获日本《电影旬报》影后肯定的 泷内公美 ,继2020年《 火口的二人 》与 柄本佑 上演多场火辣性爱场面之后,这回再度情欲解放,在新片《 私欲帐号 》中偷偷开设「社群小帐」,并在当中上传诸多不露脸裸照与性爱影片,试图从爆红的按赞数中获得满足感。 也因为她在小帐中的活动力强又活跃,吸引到「国宝级帅哥」 神尾枫珠 主动私讯她出来见面,两人一见面就产生「人与人的联结」,也让泷内的角色因此陷入忌妒、背叛、情欲与谎言的漩涡当中。 对于再度接演如此具有挑战性的角色,泷内感性地表示:
「女主角的孤独,以及无法满足的日常生活,让身为女性的我,从首次读到剧本就产生强烈共鸣!」
社群全盛时代下,探究「何谓真正自我」的终极杰作《私欲帐号》,是日本「Tsutaya创作者计划」中的获奖作品,也是日本新锐导演 加藤卓哉 的首部剧情长片。 曾在木村大作、降旗康男、原田真人、成岛出等多位日本名导旗下担任副导的加藤卓哉,这回以当代社会拥有双面性的「社群小帐」为题材,并透过从小帐中邂逅的男女样貌,赤裸呈现出人们心中的纠葛、情欲,以及对性爱的冲动;当代人热衷的「网路交友」,背后到底是真爱还是心机?
尤其加藤卓哉不仅担任导演,更与曾撰写出《 阳光只在这里灿烂 》而荣获电影旬报年度十大佳片最佳编剧,以及横滨电影节最佳编剧的 高田亮 共同撰写剧本,以意想不到的情节发展,为观众带来冲击人心的惊人结局。
导演:
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广濑贵士
主演:
剧情:
Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder. “Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much. The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.